Also, what's your use case, as this will probably help us guide you towards to best choice! On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. BA1 1UA. The KSM8 is Shure's dual diaphragm dynamic, and as such not a condenser. The science behind the Braunmhl-Weber capsule is a little complex, but if you want the full story with all the maths, Shure have produced a detailed white paper on the science and practical effects of the dual-diaphragm capsule, which can be found here: http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf. The Sennheiser also has a slightly larger diaphragm than the Shure. Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. Another drawback of sensitive microphones is that they often have a low maximum SPL. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. With a decent sound system, the KSM9 is startlingly clear and detailed. Where the magic happens! High sensitivity condenser mics are very good at picking up detail (both close-up and at a distance). This is like having two mics in one, and is a real bonus. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. Turn your old gear into new gear with the Sweetwater Gear Exchange! It is intended for vocal use. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. Best mics for budget filmmaking and video production, 7 Best Headworn Mics for Wireless Systems Review. The last mic in our guide is the absolute gold-standard option when it comes to world-class live vocal capture - the KSM9. . It is made from high-quality components, which ensures that it delivers excellent sound quality. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). Interesting Essay On Sampling Rights and Reforms. PR35 has a lot of fans. One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount. As does the KSM9, the HS employs a dual-diaphragm, prepolarized, 3/4-inch capsule . The KSM8 is a dynamic mic, whereas the KSM9 is a condenser. But a mic like this isnt perfect for all situations. I work with a female vocalist who is looking to upgrade her microphone. email Sign up for our Newsletter; Shure Incorporated, 5800 West Touhy Avenue Niles, IL 60714 . http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! The views expressed are those of the contributors and not necessarily those of the publishers. The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. Warning: Turning the cartridge in the shockmount or touching the second diaphragm can result in permanent microphone damage and may result in an undesirable change in frequency response. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. The standard voltage for phantom power is 48 V DC. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. Picking the mic up reveals that it is pleasantly weighty, at 330g, and it feels well balanced in the hand. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! Comparison of Shure KSM8 and Shure KSM9 based on specifications, reviews and ratings. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. The triple grille pop-shield handles plosives well, whereas the dual diaphragm design is very effective at reducing the proximity effect. SM86 is Shure's best compromise. Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. $12.39 ($2.48/Count) XLR Cable 6 FT/4 Pack, Microphone Cable 3 Pin Nylong Braided Balanced XLR Male to XLR Female Heavy Duty Mic Patch Cords. Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. Another big difference between the two mics is that the KSM8 has no switchable polar pattern its simply a cardioid mic. Your email, has been entered to win this giveaway. For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. Jan 28, 2013. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. Both mics have their pros and cons, so it can be tough to decide which one to buy. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. If the two passage times are accurately matched, the sound pressure will be identical on both sides of the diaphragm, and there will be no net movement which means no electrical output. Shure QLXD2/KSM9. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. It also helps to minimise high-frequency handling noise. A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. KSM8 is a dynamic with a darker tone. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). 5 stars: 28 %: 4 stars: KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. Shure1 launch cloud_download BLX B/SHURE B/ PSM300 B (806810MHz . But there are some differences. For information on microphone use and applications or for a more comprehensive look at the technology behind the microphone, visit www.shure.com for educational publications on these topics and more: The KSM8 Dualdyne Cartridge utilizes a reversed side entry airflow system. The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. 2:33 Shure KSM9 Only One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105. Importantly, the mic provides a pretty consistent 5dB of rejection of sources at 90 degrees right across the frequency range, so that whatever off-axis spill is captured remains fundamentally uncoloured. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. The event in which it gets out of order is quite unlikely, however, with a good amount of acceleration, anything can be achieved. and all parts are high grade. Our robust and effective solutions create market success. It can also be a bit more forgiving when it comes to microphone technique. Its a departure from their simply constructed dynamic live mics. Being music makers ourselves, we love geeking out on all things gear. Now available as a wired microphone, it's available both in champagne silver and charcoal black finishes. The switchable polar pattern means its versatile, and can easily adapt to your situation. There were four models in AKGs dual-capsule range, starting with the D200. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. The active and passive diaphragms differ in that the active (top) one has a coil attached.Although the rear diaphragm isnt used as part of the electrical circuit in a fixed-cardioid capsule, it was subsequently discovered that it does play an important role in modifying the capsules proximity effect, which Ill come back to in a moment. They both come with a built-in shock mount and are able to handle high volume levels. All in all, the KSM9 offers a very happy medium. I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. Free Shipping. The kms105 is super clean, clear . With solid internal engineering, it handles noise and feedback well. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. Mic stands reduce any handling noise in the studio. shure axient combiner shure axient combiner (No Ratings Yet) . And of these, the SM57 and SM58 are industry-standard around the world. A perfect choice for precise, intimate live vocals. Well, at 429, this mic doesnt come cheap. If you want the best quality XLR cables, try these. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. Any artist or singer who has enough money for professional gear could use KSM9. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. But theres one major difference between these two mics. Dualdyne capsule continues the ongoing evolution of microphone technology. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. This means an even, predictable low-end as the distance from the mic changes. The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. While this is by no means a scientific comparison, you can get a crude glimpse at frequency response differences between the SM58 and KSM8 here, with a simple 'AH' sung at a fundamental around 400Hz. If the vocalist presses their lips against the grille there is a small but noticeable increase in the bass end, but it really is very moderate in comparison to most stage mics. One of the standout features of this mic is its versatility it can be used for both vocals and instruments. I think the champagne looks very chic! Check out the Shure KSM8 here:https://www.sweetwater.com/store/detail/KSM8N--shure-ksm8-dualdyne-nickelSubscribe to Sweetwater:https://www.youtube.com/user/S. So if you need that extra sparkle and clarity to give your live sound the edge, then this could be the handheld condenser for you. The electronic circuit is maybe complex but it doesnt utilize any vulnerable components (such as triodes, crystal oscillators, etc.) Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Whereas condenser mics are active meaning they need something called power phantom power. 1:41 Shure KSM9 Only Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. Available colors: User rating: 71. The outer grille has been tempered to provide years of dent resistance. Their design used a complex arrangement of perforations drilled into separate brass plates which, when sandwiched together to form the microphone backplate, created an acoustic labyrinth behind the front diaphragm. I'm somewhat unfamiliar with the Sennheiser line of microphones. Handling noise is extremely low and never gave any problems, even when I was deliberately trying to be clumsy! Shure KSM8 Shop now at Amazon. Win a TB-03 and TR-06 from Roland. Shure KSM9. Rig Tour: Post Malone's FOH Engineer, Burton Ishmael, Happy 303 Day! This translates to greatly reduced level and tonality changes and less need to compress or EQ the mic in the FOH mixer, even if the users mic technique is less than perfect! Then connect the output of the phantom supply soundcard. The Neumann KMS 105 is a condenser microphone that has been designed for studio use. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. Shure KSM9 Multi-Pattern Condenser Microphone. to maximise the magnetic field in a very small space and thus ensure an acceptable electrical output level. What is the output level difference between Shures Beta 87A and SM58? Try a good quality boom stand, with a tripod base like the K&M 210/2.
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